Where to Go to Learn From the Photography Masters Whether you are looking for the right path for your budding student photographer in your family or looking on how to jump-start your own photography career, the right school can make all the difference. There is no question that photography is an outstanding career path with many different directions that someone skilled with a camera might go. The diversity of careers in photography is truly amazing. From the base talent in photography and a solid understanding of new and emerging technologies, the sky is the limit for a talented photographer with a solid education under his or her belt. That is because photography is both an art form and a solid technical skill. So the same school might produce an award-winning artist, a successful wedding photographer, a fashion photographer, a police investigator taking pictures of crime scenes, or a crack newspaper photographer.

So the question emerges as to what kind of photography school to pick for yourself or the student in your family that wants the best education possible. How you pick any school is very much influenced by both how you approach education in general and what your objectives are.

Some would advocate that you look to get into the finest artistic photography schools in the country. If you wish to go down that path, then for sure the Brooks Institute of photography or one of the elite east coast schools of artistic photography is a noble ambition. But there are three drawbacks to trying to attend such schools. First is, of course, the potential cost. Any elite school is going to charge elite prices. And if you are like most of us, you want to get the most education for your money. So doing some caparison shopping for a school is in order.

The second drawback is getting admitted. Most of the top-flight schools have waiting lists and tough entry requirements that may make that ambition more demanding than is necessary. But the most meaningful drawback is that these schools may not be the right choice for the career you or the photography student in your life may wish to pursue. So a good general set of guidelines on how to evaluate a wide variety of photography schools is in order. The guidelines might include… . What kind of photography is right for the student? A program geared toward artistic photography that will result in pieces hanging in a modern art museum will have a very different approach than a program to train forensic photographers. Your student may not know right away what field they want to go into. If so, getting started at a generic school such as a photography emphasis at the local junior college may be the right choice until the career path becomes clearer.

. Is it a legitimate school? You want to avoid schools that are run from the internet or that you read about on the back of a matchbook. A legitimate school will produce a recognized degree that will be well respected in the industry and will help the student get jobs.

. What is available locally? Why go out of town or out of state if you have good local schools? Many state universities, junior colleges and local tech schools have find programs.

. How diverse and up to date is the program? Will your student get exposed to the newest of technology in the field of photography? Will they get trained in how to service many different types of photography assignments? . How does the program’s job placement rating look? What percentage of graduates from this program get jobs? How well respected is this school by businesses who employ photographers? These are solid evaluation criteria. And if you apply these standards to a couple dozen of the finest schools both locally and nationally, before long a short list of good schools will emerge. From there, some site visits and interviews with teachers and graduates will narrow things down. And you will be glad you “did your homework” to find the kind of photography school that will take you or the student in your life to the next level of success in their love of photography.

The Power of Black and White Photography It’s interesting how sometimes older technologies or art forms take on an even greater value when they are made obsolete by the new and modern. This is certainly true of black and white photography. When color photography came on the scene, it seemed the days of black and white in both video and photography were over forever. But that was certainly not the case. Over the years we have seen black and white take on a new artistic value in both genres. In fact, it is not at all unusual any more to see a very modern movie filmed entirely in black and white. It is also common to visit a fine art museum and find a photographic art display that uses black and white extensively. Black and white has some artistic and emotional qualities that are just not possible to achieve in color photography.

Probably the strongest quality that grabs the viewer with a black and white photo is its emotional power. Even if the photo is just of an old barn or an antique car, there is an emotional appeal that is difficult to analyze in words but universal to all of us as we look at a black and white shot. That is why black and white photos almost instantly take on an artistic look. So if you are evolving your artistic photography style and portfolio, including some experimentation with black and white will do a lot to improve your work.

Black and white also focuses the eye on the emotional center of the piece. Probably the best subject for black and white photography is the human face. In even a tranquil expression, the viewer can see such a vast range of expression in the eyes, the tilt of the head, the subtle wrinkles or peculiarities of the face and the focus of the gaze. Black and white almost always invites the viewer to want to know about the story behind the picture. If it’s a landscape, “What happened here?” is the question that often springs to the mind of the viewer and the longer they gaze at the photo, the more their imagination fills in the details. If you are viewing the face of a serene or melancholy girl, it is almost impossible not to wonder what she is dreaming about or what of life’s issues is weighing on her mind.

Along with the emotional power and the way black and white compels the viewer to search for meaning, black and white carries with it a tremendous romantic power that touches the heart in a powerful way. That romance can easily translate over to the sensual or even the erotic without having to become pornographic to achieve that effect. Shots that are trying to evoke the power of sensuality and romance do well when they involve moisture or a water scene such as the beach. Despite the lack of color, these colors appeal to the five senses in ways that color can never hope to achieve.

You can experiment with black and white and gather the responses of friends and family to learn how to utilize the subtle but powerful artistic nuances that seem to come with black and white photography almost unconsciously. The digital camera has ushered in a whole new era of black and white photography. You see the form used even in otherwise non artistic settings like wedding portfolios or anniversary pictures. That is because of that emotional and romantic power that black and white conveys. If you have not started to experiment with black and white shots, it’s worth the time to learn how to capture the powerful images this type of photography can make possible. Along with the creative use of light and framing, black and white gives itself well to editing that you can do with Photoshop to bring out the emotional center of each shot. Before long, you may actually find your self seeing black and white shots in a color world. Your awareness of what will make a great moment in this format will become acute and you will be ready to capture those moments spontaneously, which is always the best kind of photography.